• Reference

Emile Berliner, Maker of the Microphone (Classic Reprint)


Author: Frederic William Wile
Publisher: Forgotten Books
ISBN: 9780260855237
Category: Reference
Page: 398
View: 2998
Excerpt from Emile Berliner, Maker of the Microphone The vast populations which the world supports to-day, the high standards of living and comfort with which we are surrounded, are directly due to scientific discovery. It was science that prevented the disaster Malthus predicted as the result of the pressure of the population upon subsistence, for it is science that has increased the productivity of man. A score of men can live in comfort now where only one lived in poverty a hundred years ago. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


    • Music

A Dictionary for the Modern Conductor


Author: Emily Freeman Brown
Publisher: Scarecrow Press
ISBN: 0810884011
Category: Music
Page: 432
View: 871
In this book, author and conductor Emily Freeman Brown offers easy-to-read definitions of key musical terms, translated foreign terms, examples of usage from orchestral music, and practical vocabulary in multiple languages.

    • Editions

Guide to Reprints

Author, title
Author: N.A
Publisher: N.A
ISBN: N.A
Category: Editions
Page: N.A
View: 2070

    • Bibliography

Bulletin of reprints


Author: N.A
Publisher: N.A
ISBN: N.A
Category: Bibliography
Page: N.A
View: 9525

    • Music

The Art of Sound

A Visual History for Audiophiles
Author: Terry Burrows
Publisher: N.A
ISBN: 9780500519288
Category: Music
Page: 350
View: 705
This spectacular volume is a compendium of beautiful recording and playback equipment and at the same time an engaging, comprehensive history of sound recording. Organized chronologically, it showcases specially commissioned photography of the beautiful, iconic and rarely seen objects contained within the diverse collections of the EMI Archive Trust. Recording equipment, playback devices, catalogues, artist files, records, master tapes, radios and televisions are all here, accompanied by detailed specifications and intriguing archival photographs. Interspersed with the timeline and images are in-depth articles that tell the complete stories of the pioneering advances in the evolution of sound technology, from the invention of the 'Gramophone' method to the development of electronic signal amplifiers, and from the arrival of magnetic tape recording to the advent of CDs and the dawn of the digital age. It is sure to prove irresistible to music geeks and design lovers alike.

    • Monographic series

Books in Series


Author: N.A
Publisher: N.A
ISBN: 9780835221092
Category: Monographic series
Page: 1756
View: 1494

    • Music

Last Night a DJ Saved My Life

The History of the Disc Jockey
Author: Bill Brewster,Frank Broughton
Publisher: Open Road + Grove/Atlantic
ISBN: 0802194362
Category: Music
Page: 448
View: 6032
“A riveting look at record spinning from its beginnings to the present day . . . A grander and more fascinating story than one would think” (Time Out). This is the first comprehensive history of the disc jockey, a cult classic now updated with five new chapters and over a hundred pages of additional material. It’s the definitive account of DJ culture, from the first record played over airwaves to house, hip-hop, techno, and beyond. From the early development of recorded and transmitted sound, DJs have been shaping the way we listen to music and the record industry. This book tracks down the inside story on some of music’s most memorable moments. Focusing on the club DJ, the book gets first-hand accounts of the births of disco, hip-hop, house, and techno. Visiting legendary clubs like the Peppermint Lounge, Cheetah, the Loft, Sound Factory, and Ministry of Sound, and with interviews with legendary DJs, Last Night a DJ Saved My Life is a lively and entertaining account of musical history and some of the most legendary parties of the century. “Brewster and Broughton’s ardent history is one of barriers and sonic booms, spanning almost 100 years, including nods to pioneers Christopher Stone, Martin Block, Douglas ‘Jocko’ Henderson, Bob ‘Wolfman Jack’ Smith and Alan ‘Moondog’ Freed.” —Publishers Weekly

    • Out-of-print books

Guide to Reprints


Author: Albert James Diaz
Publisher: K G Saur Verlag Gmbh & Co
ISBN: 9783598238963
Category: Out-of-print books
Page: N.A
View: 2882

    • American literature

ABPR


Author: N.A
Publisher: N.A
ISBN: N.A
Category: American literature
Page: N.A
View: 6779

    • Antiquarian booksellers

AB Bookman's Weekly

For the Specialist Book World
Author: N.A
Publisher: N.A
ISBN: N.A
Category: Antiquarian booksellers
Page: N.A
View: 9072

    • Music

The Audible Past

Cultural Origins of Sound Reproduction
Author: Jonathan Sterne
Publisher: Duke University Press
ISBN: 9780822330134
Category: Music
Page: 450
View: 568
DIVCultural study of the development of sound technology in the nineteenth and early twentieth centuries from telephones and stethoscopes to record players./div

    • History

The Copyright Wars

Three Centuries of Trans-Atlantic Battle
Author: Peter Baldwin
Publisher: Princeton University Press
ISBN: 1400851912
Category: History
Page: 552
View: 7699
Today's copyright wars can seem unprecedented. Sparked by the digital revolution that has made copyright—and its violation—a part of everyday life, fights over intellectual property have pitted creators, Hollywood, and governments against consumers, pirates, Silicon Valley, and open-access advocates. But while the digital generation can be forgiven for thinking the dispute between, for example, the publishing industry and Google is completely new, the copyright wars in fact stretch back three centuries—and their history is essential to understanding today’s battles. The Copyright Wars—the first major trans-Atlantic history of copyright from its origins to today—tells this important story. Peter Baldwin explains why the copyright wars have always been driven by a fundamental tension. Should copyright assure authors and rights holders lasting claims, much like conventional property rights, as in Continental Europe? Or should copyright be primarily concerned with giving consumers cheap and easy access to a shared culture, as in Britain and America? The Copyright Wars describes how the Continental approach triumphed, dramatically increasing the claims of rights holders. The book also tells the widely forgotten story of how America went from being a leading copyright opponent and pirate in the eighteenth and nineteenth centuries to become the world’s intellectual property policeman in the late twentieth. As it became a net cultural exporter and its content industries saw their advantage in the Continental ideology of strong authors’ rights, the United States reversed position on copyright, weakening its commitment to the ideal of universal enlightenment—a history that reveals that today’s open-access advocates are heirs of a venerable American tradition. Compelling and wide-ranging, The Copyright Wars is indispensable for understanding a crucial economic, cultural, and political conflict that has reignited in our own time.

    • Electro-acoustics

Journal of the Audio Engineering Society


Author: Audio Engineering Society
Publisher: N.A
ISBN: N.A
Category: Electro-acoustics
Page: N.A
View: 8234
"Directory of members" published as pt. 2 of Apr. 1954- issue.

    • Business & Economics

Creativity and Innovation in the Music Industry


Author: Peter Tschmuck
Publisher: Springer Science & Business Media
ISBN: 3642284299
Category: Business & Economics
Page: 304
View: 4970
Why did jazz become a dominant popular music genre in the 1920s and rock 'n' roll in the 1950s? Why did heavy metal, punk rock and hiphop find their way from sub-cultures to the established music industry? What are the effects of new communication technologies and the Internet on the creation of music in the early 21st century? These and other questions are answered by Peter Tschmuck through an integrated model of creativity and innovation that is based on an international history of music industry since Thomas A. Edison invented the phonograph in 1877. Thus, the history of the music industry is described in full detail. By discussing the historic process of music production, distribution and reception the author highlights several revolutions in the music industry that were caused by the inference of aesthetic, technological, legal, economic, social and political processes of change. On the basis of an integrated model of creativity and innovation, an explanation is given on how the processes and structures of the present music industry will be altered by the ongoing digital revolution, which totally changed the value-added network of the production, dissemination and use of music. For the second edition, the author has reworked chapter 9 in order to include all the developments which shaped the music industry in the first decade of the 21st century – from Napster to cloud-based music services and even beyond.

    • Social Science

When Old Technologies Were New

Thinking About Electric Communication in the Late Nineteenth Century
Author: Carolyn Marvin
Publisher: Oxford University Press
ISBN: 9780198021384
Category: Social Science
Page: 296
View: 8084
In the history of electronic communication, the last quarter of the nineteenth century holds a special place, for it was during this period that the telephone, phonograph, electric light, wireless, and cinema were all invented. In When old Technologies Were New, Carolyn Marvin explores how two of these new inventions--the telephone and the electric light--were publicly envisioned at the end of the nineteenth century, as seen in specialized engineering journals and popular media. Marvin pays particular attention to the telephone, describing how it disrupted established social relations, unsettling customary ways of dividing the private person and family from the more public setting of the community. On the lighter side, she describes how people spoke louder when calling long distance, and how they worried about catching contagious diseases over the phone. A particularly powerful chapter deals with telephonic precursors of radio broadcasting--the "Telephone Herald" in New York and the "Telefon Hirmondo" of Hungary--and the conflict between the technological development of broadcasting and the attempt to impose a homogenous, ethnocentric variant of Anglo-Saxon culture on the public. While focusing on the way professionals in the electronics field tried to control the new media, Marvin also illuminates the broader social impact, presenting a wide-ranging, informative, and entertaining account of the early years of electronic media.

    • Acoustical engineering

Acoustical Engineering


Author: Harry F. Olson
Publisher: N.A
ISBN: N.A
Category: Acoustical engineering
Page: 718
View: 8666

Books in Print 1997-98


Author: R R Bowker Publishing,[Anonymus AC01535147]
Publisher: R. R. Bowker
ISBN: 9780835239400
Category:
Page: N.A
View: 3745