• Music

Music as Social Life

The Politics of Participation
Author: Thomas Turino
Publisher: University of Chicago Press
ISBN: 0226816982
Category: Music
Page: 258
View: 2223
In 'Music as Social Life', Thomas Turino explores why it is that music and dance are so often at the centre of our most profound personal and social experiences.

Music As Social Life

The Politics of Participation
Author: Thomas Turino
Publisher: N.A
ISBN: 9781459627369
Category:
Page: 484
View: 6637
People around the world and throughout history have used music to express their inner emotions, reach out to the divine, woo lovers, celebrate weddings, inspire political movements, and lull babies to sleep. In Music as Social Life, Thomas Turino explores why it is that music and dance are so often at the center of our most profound personal and social experiences. Turino begins by developing tools to think about the special properties of music and dance that make them fundamental resources for connecting with our own lives, our communities, and the environment. These concepts are then put into practice as he analyzes various musical examples among indigenous Peruvians, rural and urban Zimbabweans, and American old - time musicians and dancers. To examine the divergent ways that music can fuel social and political movements, Turino looks at its use by the Nazi Party and by the American civil rights movement. Wide - ranging, accessible to anyone with an interest in music's role in society, and accompanied by a compact disc, Music as Social Life is an illuminating initiation into the power of music.

    • Social Science

Music as Social Life

The Politics of Participation
Author: Thomas Turino
Publisher: University of Chicago Press
ISBN: 9780226816975
Category: Social Science
Page: 280
View: 4723
People around the world and throughout history have used music to express their inner emotions, reach out to the divine, woo lovers, celebrate weddings, inspire political movements, and lull babies to sleep. In Music as Social Life, Thomas Turino explores why it is that music and dance are so often at the center of our most profound personal and social experiences. Turino begins by developing tools to think about the special properties of music and dance that make them fundamental resources for connecting with our own lives, our communities, and the environment. These concepts are then put into practice as he analyzes various musical examples among indigenous Peruvians, rural and urban Zimbabweans, and American old-time musicians and dancers. To examine the divergent ways that music can fuel social and political movements, Turino looks at its use by the Nazi Party and by the American civil rights movement. Wide-ranging, accessible to anyone with an interest in music’s role in society, and accompanied by a compact disc, Music as Social Life is an illuminating initiation into the power of music.

    • Music

Nationalists, Cosmopolitans, and Popular Music in Zimbabwe


Author: Thomas Turino
Publisher: University of Chicago Press
ISBN: 9780226816968
Category: Music
Page: 352
View: 3452
Hailed as a national hero and musical revolutionary, Thomas Mapfumo, along with other Zimbabwean artists, burst onto the music scene in the 1980s with a unique style that combined electric guitar with indigenous Shona music and instruments. The development of this music from its roots in the early Rhodesian era to the present and the ways this and other styles articulated with Zimbabwean nationalism is the focus of Thomas Turino's new study. Turino examines the emergence of cosmopolitan culture among the black middle class and how this gave rise to a variety of urban-popular styles modeled on influences ranging from the Mills Brothers to Elvis. He also shows how cosmopolitanism gave rise to the nationalist movement itself, explaining the combination of "foreign" and indigenous elements that so often define nationalist art and cultural projects. The first book-length look at the role of music in African nationalism, Turino's work delves deeper than most books about popular music and challenges the reader to think about the lives and struggles of the people behind the surface appeal of world music.

    • Biography & Autobiography

Music, Culture, and Experience

Selected Papers of John Blacking
Author: John Blacking,Reginald Byron,Bruno Nettl
Publisher: University of Chicago Press
ISBN: 0226088308
Category: Biography & Autobiography
Page: 269
View: 4688
One of the most important ethnomusicologists of the century, John Blacking achieved international recognition for his book, How Musical Is Man? Known for his interest in the relationship of music to biology, psychology, dance, and politics, Blacking was deeply committed to the idea that music-making is a fundamental and universal attribute of the human species. He attempted to document the ways in which music-making expresses the human condition, how it transcends social divisions, and how it can be used to improve the quality of human life. This volume brings together in one convenient source eight of Blacking's most important theoretical papers along with an extensive introduction by the editor. Drawing heavily on his fieldwork among the Venda people of South Africa, these essays reveal his most important theoretical themes such as the innateness of musical ability, the properties of music as a symbolic or quasi-linguistic system, the complex relation between music and social institutions, and the relation between scientific musical analysis and cultural understanding.

    • Social Science

Remains of Ritual

Northern Gods in a Southern Land
Author: Steven M. Friedson
Publisher: University of Chicago Press
ISBN: 0226265064
Category: Social Science
Page: 272
View: 8457
Remains of Ritual, Steven M. Friedson’s second book on musical experience in African ritual, focuses on the Brekete/Gorovodu religion of the Ewe people. Friedson presents a multifaceted understanding of religious practice through a historical and ethnographic study of one of the dominant ritual sites on the southern coast of Ghana: a medicine shrine whose origins lie in the northern region of the country. Each chapter of this fascinating book considers a different aspect of ritual life, demonstrating throughout that none of them can be conceived of separately from their musicality—in the Brekete world, music functions as ritual and ritual as music. Dance and possession, chanted calls to prayer, animal sacrifice, the sounds and movements of wake keeping, the play of the drums all come under Friedson’s careful scrutiny, as does his own position and experience within this ritual-dominated society.

    • History

Sardinian Chronicles


Author: Bernard Lortat-Jacob
Publisher: University of Chicago Press
ISBN: 9780226493411
Category: History
Page: 118
View: 798
In Sardinian Chronicles Bernard Lortat-Jacob poetically evokes Sardinian music through a series of encounters with individual musicians and their families. Refusing to separate the music from the world in which it arises, Lortat-Jacob offers twelve vignettes focused on individuals such as Cocco, a chicken farmer who deciphers the shapes of his fowl and the layout of his henhouses in the constellations of a summer sky, and Pietro, a sleep-walking postman who divides his time between mail deliveries and impromptu serenades. These vignettes bring to life an art still very much alive: the music of villages with an oral tradition, sung or played in the company of others. Through his sensitive portraits of music makers and their families, Lortat-Jacob overcomes some of the epistemological and methodological dilemmas facing his field today, while also giving the general reader a sense of the multiple and idiosyncratic ways that music is involved in everyday life. With a foreword by Michel Leiris and a compact disc containing samples of the music being discussed, this book constitutes a breakthrough in ethnomusicology that will also interest many in Mediterranean studies and European anthropology.

    • Music

Ethnomusicology: A Contemporary Reader


Author: Jennifer C. Post
Publisher: Routledge
ISBN: 131543914X
Category: Music
Page: 336
View: 6759
Ethnomusicology: A Contemporary Reader, Volume II provides an overview of developments in the study of ethnomusicology in the twenty-first century, offering an introduction to contemporary issues relevant to the field. Nineteen essays, written by an international array of scholars, highlight the relationship between current issues in the discipline and ethnomusicologists’ engagement with issues such as advocacy, poverty and social participation, maintaining intangible cultural heritages, and ecological concerns. It provides a forum for rethinking the discipline’s identity in terms of major themes and issues to which ethnomusicologists have turned their attention since Volume I published in 2005. The collection of essays is organized into six sections: Property and Rights Applied Practice Knowledge and Agency Community and Social Space Embodiment and Cognition Curating Sound Volume II serves as a basic introduction to the best writing in the field for students, professors, and music professionals, perfect for both introductory and upper level courses in world music. Together with the first volume, Ethnomusicology: A Contemporary Reader, Volume II provides a comprehensive survey of current research directions.

    • Music

Music in Everyday Life


Author: Tia DeNora
Publisher: Cambridge University Press
ISBN: 9780521627320
Category: Music
Page: 181
View: 3630
The power of music to influence mood, create scenes, routines and occasions is widely recognised and this is reflected in a strand of social theory from Plato to Adorno that portrays music as an influence on character, social structure and action. There have, however, been few attempts to specify this power empirically and to provide theoretically grounded accounts of music's structuring properties in everyday experience. Music in Everyday Life uses a series of ethnographic studies - an aerobics class, karaoke evenings, music therapy sessions and the use of background music in the retail sector - as well as in-depth interviews to show how music is a constitutive feature of human agency. Drawing together concepts from psychology, sociology and socio-linguistics it develops a theory of music's active role in the construction of personal and social life and highlights the aesthetic dimension of social order and organisation in late modern societies.

    • Music

Echoes from Dharamsala

Music in the Life of a Tibetan Refugee Community
Author: Keila Diehl
Publisher: Univ of California Press
ISBN: 0520230442
Category: Music
Page: 312
View: 7484
"Echoes of Dharamsala takes us deep into exile as a performance space, a refugee home on the diasporic range. The metaphor of reverberation comes very much to life as Keila Diehl bears witness to the emergent politics and poetics of Tibetan rock and roll. Compassionate and modest, yet incisive and unromantic, her writing brings us close to amazingly complicated musical lives being forged in a distinct global conjuncture of modernity, desire, and longing."—Steven Feld, Prof. of Music and Anthropology, Columbia University "Echoes from Dharamsala is a charmingly written, ethnographically rich, theoretically ambitious book about a Tibetan community in exile. Keila Diehl joined a Tibetan rock band as its keyboard player, and from that perspective gives us a fresh and honest look at the Tibetan refugee experience through its soundscapes. She has presented us with a model of ethnography, which while not shying away from representing the conflicts and contradictions of the community she studied, nevertheless displays a deep political solidarity with the Tibetan cause."—Akhil Gupta, author of Postcolonial Developments: Agriculture in the Making of Modern India "Giving new meaning to "participant-observation," Keila Diehl explores the politics and poetics of Tibetan cultural production in exile, in a study that is at once engaging and insightful."—Donald S. Lopez, author of Prisoners of Shangri-La: Tibetan Buddhism and the West

    • Music

Performing Ethnomusicology

Teaching and Representation in World Music Ensembles
Author: Ted Solís
Publisher: Univ of California Press
ISBN: 9780520238312
Category: Music
Page: 322
View: 3338
'Performing Ethnomusicology' is the first book to deal exclusively with creating, teaching, & contextualizing academic world music performing ensembles. 16 essays discuss the problems of public performance & the pragmatics of pedagogy & learning processes.

    • Music

Music Cultures in the United States

An Introduction
Author: Ellen Koskoff
Publisher: Psychology Press
ISBN: 9780415965880
Category: Music
Page: 428
View: 7533
'Music in the United States' is a basic textbook for any introduction to American music course. Each American music culture is covered with an introductory article and case studies of the featured culture.

    • Music

Music in the Post-9/11 World


Author: Jonathan Ritter,J. Martin Daughtry
Publisher: Routledge
ISBN: 1135866899
Category: Music
Page: 360
View: 2043
Music in the Post-9/11 World addresses the varied and complex roles music has played in the wake of September 11, 2001. Interdisciplinary in approach, international in scope, and critical in orientation, the twelve essays in this groundbreaking volume examine a diverse array of musical responses to the terrorist attacks of that day, and reflect upon the altered social, economic, and political environment of "post-9/11" music production and consumption. Individual essays are devoted to the mass-mediated works of popular musicians such as Bruce Springsteen and Darryl Worley, as well as to lesser-known musical responses by artists in countries including Afghanistan, Egypt, Mexico, Morocco, Peru, and Senegal. Contributors also discuss a range of themes including the role played by Western classical music in rites of mourning and commemoration, "invisible" musical practices such as the creation of television news music, and implicit censorship in the mainstream media. Taken as a whole, this collection presents powerful evidence of the central role music has played in expressing, shaping, and contesting worldwide public attitudes toward the defining event of the early twenty-first century.

    • Music

Music and Politics


Author: John Street
Publisher: John Wiley & Sons
ISBN: 0745636551
Category: Music
Page: 256
View: 7148
It is common to hear talk of how music can inspire crowds, move individuals and mobilise movements. We know too of how governments can live in fear of its effects, censor its sounds and imprison its creators. At the same time, there are other governments that use music for propaganda or for torture. All of these examples speak to the idea of music's political importance. But while we may share these assumptions about music's power, we rarely stop to analyse what it is about organised sound - about notes and rhythms - that has the effects attributed to it. This is the first book to examine systematically music's political power. It shows how music has been at the heart of accounts of political order, at how musicians from Bono to Lily Allen have claimed to speak for peoples and political causes. It looks too at the emergence of music as an object of public policy, whether in the classroom or in the copyright courts, whether as focus of national pride or employment opportunities. The book brings together a vast array of ideas about music's political significance (from Aristotle to Rousseau, from Adorno to Deleuze) and new empirical data to tell a story of the extraordinary potency of music across time and space. At the heart of the book lies the argument that music and politics are inseparably linked, and that each animates the other.

    • Music

Ethnomusicology: A Very Short Introduction


Author: Timothy Rice
Publisher: Oxford University Press
ISBN: 0199794375
Category: Music
Page: 151
View: 4791
Ethnomusicology, an academic discipline founded in 1950, has been defined as the study of the music of others. This definition, at once whimsical and very nearly true, is incomplete. Many of its strongest threads have emerged because a person or a people have wanted to understand themselves, their history, and their identity.

    • Music

Music in Words

A Guide to Researching and Writing about Music
Author: Trevor Herbert
Publisher: Oxford University Press
ISBN: 0199888329
Category: Music
Page: 256
View: 2874
Music in Words is a compact guide to researching and writing about music, addressing all the issues that anyone who writes about music--from students to professional musicians and critics--may confront when putting together anything from brief program notes to a lengthy thesis. The book is a writing guide and a reference manual in one: the first part, a "how to" section, offers a clear explanation of the purpose of music research and how it is to be done, including basic introductions to the most necessary tools for musical inquiry (with special emphasis on strategic use of the internet), and how they can be accessed and used. The second part is a compendium of information on style and sources for quick reference, including a straightforward presentation of the purpose and use of citation and reference systems as they are applied to and in music. As a whole, the volume gives readers a clear picture of how to write about music at different levels and for different purposes in a handy, thoroughly cross-referenced format. This American edition has been thoroughly revised and expanded, and features an extensive section on writing for the Internet and new sections on writing for jazz, popular music, world musics, and ethnography. Additionally, a companion website presents a broad range of writing samples and links to key resources.

    • Music

Heartland Excursions

Ethnomusicological Reflections on Schools of Music
Author: Bruno Nettl
Publisher: University of Illinois Press
ISBN: 9780252064685
Category: Music
Page: 170
View: 3214
One of the ethnomusicologists takes the reader along for a tour of his workplace.

    • Music

Why Music Matters


Author: David Hesmondhalgh
Publisher: John Wiley & Sons
ISBN: 1118535812
Category: Music
Page: 208
View: 314
Listen to David Hesmondhalgh discuss the arguments at the core of 'Why Music Matters' with Laurie Taylor on BBC Radio 4's Thinking Allowed here. In what ways might music enrich the lives of people and of societies? What prevents it from doing so? Why Music Matters explores the role of music in our lives, and investigates the social and political significance of music in modern societies. First book of its kind to explore music through a variety of theories and approaches and unite these theories using one authoritative voice Combines a broad yet theoretically sophisticated approach to music and society with real clarity and accessibility A historically and sociologically informed understanding of music in relation to questions of social power and inequality By drawing on both popular and academic talk about a range of musical forms and practices, readers will engage with a wide musical terrain and a wealth of case studies

Lions of the North

Sounds of the New Nordic Radical Nationalism
Author: Benjamin R. Teitelbaum
Publisher: Oxford University Press
ISBN: 0190212594
Category:
Page: 240
View: 3526
In September of 2010, the Daily Mail Reporter announced "Anti-immigration party formed from skinhead movement seizes balance of power in Sweden." A politics of skinhead protest, expressed through White Power Music and an explicitly nationalistic subgenre known as Viking Rock, has relied on itsmusic to voice opposition to immigration and multiculturism. Often labeled "neo-Nazis" or "right-wing extremists," these actors shook political establishments throughout Sweden, Denmark, and Norway during the 1980s and 1990s by rallying around white power music and skinhead subculture. Morerecently, however, these groups methodically revised their presentation in an effort to refashion themselves as upstanding, intelligent champions of love and human diversity, and once again using music to do so. In Lions of the North: Sounds of the New Nordic Radical Nationalism, author Benjamin Teitelbaum explores this transformation of anti-immigrant, anti-liberal activism in the Nordic countries as it manifests in thought and sound. As his fieldwork in Sweden overlapped with Anders Behring Breivik'sattacks in 2011, Teitelbaum observed the radical nationalist movement at a particularly sensitive moment. Offering a rare ethnographic glimpse into controversial and secretive political movements, Lions of the North investigates changes in the music nationalists make and patronize, reading theirsurprising new music styles as attempts to escape stereotypes and fashion a new image for themselves. Teitelbaum's work reveals organized opposition to immigration and multiculturalism in Scandinavia to be a scene in flux, populated by individuals with diverse understandings of themselves, theircause, and the significance of music. Ultimately, he uncovers the ways in which nationalists use music to frame themselves as agents of justice, an image that is helping to propel these actors to unprecedented success in societies often considered the most tolerant in the world. A timely andpowerful work of interdisciplinary ethnomusicology, Lions of the North will appeal to a wide audience, from scholars in the humanities to those in political science.

    • Music

Sociology and Music Education


Author: Ruth Wright
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754668015
Category: Music
Page: 299
View: 5047
Sociology and Music Education addresses a pressing need to provide a sociological foundation for understanding music education. The music education community, academic and professional, has become increasingly aware of the need to locate the issues facing music educators within a broader sociological context. This is required both as a means to deeper understanding of the issues themselves and as a means to raising professional consciousness of the macro issues of power and politics by which education is often constrained. The book outlines some introductory concepts in sociology and music education and then draws together seminal theoretical insights with examples from practice with innovative applications of sociological theory to the field of music education. The book concludes with an Afterword by Christopher Small.